A pair of childhood friends end up falling for each other when they grow up.

When a forty-year-old divorced father discovers that he needs to undergo an operation, which he can not afford, within the next 4 days, he finds himself forced to deal with the life he isolated himself from for the longest time.

Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna , whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.

A nasty, nasty comedy. A reality TV crew is making a programme, ‘Ghost TV’ about the haunted buildings that are the ruins of Seacliff Lunatic Asylum. As one might expect things do not go to plan. One of the crew is not very emotionally stable and when she discovers that she has been used callously by another crew member she snaps and runs off into the night, only to return with violent intent.

Jake Speed (Wayne Crawford) is the lead character in some of the biggest page-turners of the 1940s. A chiseled, heroic action figure, Speed saves lives on paper, but when a young girl is kidnapped and her sister (Karen Kopins) begs the real-life Speed for help, he must find a way to be as gallant as the book hero whose creation he’s inspired. Accompanied by the victim’s sibling, Speed flies to Africa to see if he’s up to the task.

Popular beautician Sammy (Louis Koo) has the good fortune of being hired as the CEO of a cosmetics company, but quickly finds that he has his work cut out for him when the female employees reject him outright.

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

To find Joseba, a dying friend, and see him reunite with his daughter Ely, two old friends, Jean Pierre and Tocho, embark with her on a road trip through the Sahara desert, from Spain to Mali.

A pregnant New York social worker begins to develop romantic feelings for her gay best friend, and decides she’d rather raise her child with him, much to the dismay of her overbearing boyfriend.

Dr. Lizzie Beauman (DeLoach) is a single mother and hospital administrator determined to improve the hospital’s conditions while also caring for her young daughter, Quinn. Lizzie is very type-A; organized and detail-oriented. But all that changes when new EMS pilot Charley Allen (Hephner) comes into the lives of Lizzie and Quinn. Charley challenges the constraints that Lizzie places on herself, especially, her fear of flying.

Fast-talking Latino con artist Pestario “Pest” Vargas is the target of Scottish mobsters to whom he owes a considerable debt. Willing to do anything to raise money and avoid severe injury or death, Vargas agrees to a very unusual job — he will be transported to a remote island and hunted by Gustav Shank, a racist German executive. If he can survive a full day and night, Vargas gets $50,000 and will be set free. Is he wily enough to elude Shank?

The morning after his high school graduation ceremony, Araragi goes to the bathroom to wash his face but is struck by the sensation that his reflection is watching him. Touching the mirror, Araragii’s hand passes straight through and he is sucked into a mysterious world.