Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.

Love Actually… Sucks! was inspired by real-life events, and opens with a dramatic wedding feast. It tells a variety of stories about love that has gone wrong: a brother and sister in an illicit relationship, a married painter who falls in love with his young male life model, a dance school teacher who is besotted with his senior student, and a lesbian couple, one of whom has role-play paranoia, and is caught in a complex love triangle. The film celebrates the belief that life is love.

Lizzie, a young woman with amnesia, slowly comes to realize that she may be responsible for the horrific murder of her parents. After returning to the family home, Lizzie had terrifying flashbacks to her childhood, and comes face to face with the true horror of her past.

This animated adventure retells the story of the lost daughter of Russia’s last czar. The evil Rasputin places a curse on the Romanov family, and Anastasia and her grandmother, Empress Maria, get separated. After growing up in an orphanage, Anastasia encounters two Russian men seeking a reward offered by Empress Maria for the return of her granddaughter. The trio travels to Paris, where they find that the empress has grown skeptical of imposters.

A three-character ensemble piece set within the confines of a tawdry motor lodge in Lansing, Michigan. After 10 years apart, three disparate people come together to play out the unresolved drama of their final days in high school. Intrigued, we watch as layers of denial are slowly peeled away. Suspense builds as each character is provoked into revealing his or her true nature and motivation. Mesmerized, we are drawn into their lives as they choose which cards to play and which cards to hold.

The film takes place a few years after the events shown in Bummer. Kostyan “Kot”, who lost all his friends, the woman he loved and was nearly killed in the first installment of the film tries to begin a new, peaceful life. But is it possible to do? Has Russia changed and do “bratki” on black “bummers” no longer control business? Can he escape his past?

Things turn deadly and dangerous when a married couple invite a third lover into their bed to spice up their sex life.

Wyatt Earp builds his own town in California

Taylor is headed home for the holidays and her family is finally ready to meet her girlfriend “Jess”. The only problem is, Jess isn’t really her girlfriend. Taylor holds open auditions for someone to play the part for the holidays.

When an actual, honest-to-goodness royal princess runs off from her official obligations and duties for a couple of days to see how the other half lives, she winds up falling for a good Samaritan who is unaware of her real identity during the holiday season. Will her true love still feel the same way once he learns the truth?

It’s 1975, and Martin is a teenager looking to break out of a stifling home environment ruled by his alcoholic father and long-suffering mother. When Martin’s pal Micke suggests they get jobs together as waiters at a resort off the Swedish coast, Martin is all for it, but before long Micke finds better things to do and Martin is left on his own. The presence of pretty fellow server Jenny is a major consolation, but to his surprise, guileless Martin is soon chosen as the protégé of Gösta, the resort’s short-tempered manager. Gösta clearly likes Martin and makes him his right hand man, which gives Martin a crash course in the seedy side of life when he discovers Gösta has a number of other business interests, not all of which are legal or ethical.

11-year-old Nicolas lives with his mother in a seaside housing estate. The only place that ever sees any activity is the hospital. It is there that all the boys from the village are forced to undergo strange medical trials that attempt to disrupt the phases of evolution.