The Menu is a 2016 Hong Kong drama film about journalism and the sequel to the television series of the same name.

When an 8-year-old girl mysteriously vanishes on Caddo Lake, a series of past deaths and disappearances begin to link together, forever altering a broken family’s history.

Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.

Supernatural private eye, Dylan Dog, seeks out the monsters of the Louisiana bayou in his signature red shirt, black jacket and blue jeans.

After narrowly escaping an ancient burial ground, long forgotten and buried underneath the marshes of Cape Cod, a group of friends emerge from the thick, marshy darkness, tattered and bloody, lucky to be alive. They have already lost two of their friends in the marsh, presumably dead. They stumble upon an empty Cape Cod vacation house alongside the foggy marsh and break in to take shelter. Whatever was in the marsh is still after them and soon after one of them goes for help, the rest of the group learns that the evil in the marsh is not the only thing that wants them dead. Something worse, something more savage, was lying in wait just outside the marsh, in the house. What happens next is unspeakable, horror that cannot be unseen. These unlucky travelers spend their St. Patrick’s Day trapped between two evils forcing them to fight, die, or go back the way they came.

A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable

A cinematic version of the Royal Winnipeg Ballet’s adaptation of Bram Stoker’s gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

Addison Schacht investigates the murder of his friend Kevin, with the help of Phoebe, and they discover the truth is darker than they ever imagined.

Living in the liminal space between worlds, two young women find themselves falling in love for the first time, while also being forced to unexpectedly confront their families, each complicated by legacies of love and loss.

Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.

When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother. The place seems quirky, but fine… until Marion decides to take a shower.

Jessica Cutler is a small-town journalist sent to cover the grand opening of a controversial new church. As the church digs its roots into the town and its residents, Jessica’s life begins to take a crazy, violent turn.