Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.
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A trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
As an epidemic of a lethal airborne virus – that kills within days – rapidly grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself.
On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it’s marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they’ve answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
August 1914. While Jean Mordant is away winning the title of Wrestling Champion of the World in Buenos Aires, his daughter Mimi is raped by German occupiers in Ostend. Jean swears he will avenge this immoral disgrace. With his coach Victor and young nephew Guido, he enrolls in the prestigious ACM (Armored Car Division). But the heavily-built armored vehicles keep getting stuck in the mud of Flanders. The battalion is hastily transferred to the Eastern front. Jean is devastated by frustration for he has just learned that Mimi is pregnant. But war conditions are ruthless and he and his friends embark on a dramatic journey that ultimately will drag them around the world.
A one-time (and now one-handed) master film editor toiling in the cinematic sweatshops of 1970s Italy becomes the prime suspect in a series of brutal murders.
Josh meets a young woman who shortly afterwards collapses and is rushed to hospital in an ambulance. He follows after her only to find that there is no record her being admitted, and he soon learns that her room mate also vanished after being picked up by the same ambulance. Convinced of a conspiracy, Josh proceeds to investigate, despite the discouragement of the police.
In March 1963, a black mass was held at a ruined church in Clophill, Bedfordshire by a coven of dark witches. Tombs were looted, animals sacrificed and human bones arranged during a macabre ceremony. Further defilements continued at Clophill in the following years, with cattle in nearby fields found mutilated, evidence of necromancy discovered and perpetual sightings of paranormal activity witnessed at the isolated ruin. 50 years on from the original incident, the Clophill legend remains etched on the psyches of the local populace. In 2010, a documentary team was assembled to investigate the legend of the Clophill witches and to try and uncover the truth behind the paranormal events. What followed during that long weekend at Clophill was a terrifying journey into the unknown.
The story of two outcast sisters, Ginger (Katharine Isabelle) and Brigitte (Emily Perkins), in the mindless suburban town of Bailey Downs. On the night of Ginger’s first period, she is savagely attacked by a wild creature. Ginger’s wounds miraculously heal but something is not quite right. Now Brigitte must save her sister and save herself.
Four sorority sisters reunite at a Black Greek Weekend celebration. But the past comes knocking on their door and strange and inexplicable things begin to happen, threatening to unearth the deadly secret that may tear them apart.