After female mechanic Jess reluctantly agrees to participate in a car restoration show, she is shocked to learn that her ex-boyfriend, Luke, is her main competitor.
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Nanny McPhee appears at the door of a harried young mother, Mrs. Isabel Green, who is trying to run the family farm while her husband is away at war. But once she’s arrived, Nanny McPhee discovers that the children are fighting a war of their own against two spoiled city cousins who have just moved in. Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant, Nanny uses her magic to teach her mischievous charges five new lessons.
Grace Montague, a writer on the verge of losing her book contract, returns to her hometown to finish her final novel and rediscover her muse. However, upon arriving home she finds her first love, Sean, desperate to save the town’s historic ballroom, and needs her help writing the proposal before the night of the rare Blue Moon Ball.
Teenage musicians travel to England’s Spike Island in the hope of attending an outdoor performance by their favorite band, the Stone Roses.
An aeronautical engineer at Ariane Espace, Jim has devoted himself for years to a secret project: building his own rocket and accomplishing the first manned space flight as an amateur. But to realize his dream, he must learn to share it.
Returning home to working class Warwick, Rhode Island, Peter Latang encounters childhood friend Donald Treebeck for what starts as a simple favor and turns into a long van ride into two friends past.
It’s 1984 and outside a small-town nightclub, a group of 8th graders gather, grappling with a spate of recent suicides, UFO sightings, their absentee parents, and each other.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
When Jade, a web-cam girl, visits Takeko’s tattoo studio she becomes entranced with the image of the spider lily and with Takeko as well. In order to get closer to the object of her desire, Jade asks Takeko to give her the same lily tattoo, challenging Takeko’s monastic existence and opening up memories which threaten to tear the two women apart.
A depressed millennial discovers that the world she knows is just a simulated version of reality that is being shut down. Suddenly, she’s the only one who wants to stick around.
