In her public persona, Eleanor “Tussy” Marx was a translator, actress, a children’s rights activist and a persuasive labour organizer, a tireless powerhouse determined to carry on her father’s work. She held her own with twentieth century gods, including both her father and his colleague Engels. In her privately life, however, she was vulnerable and her attraction to the self-indulgent and self-important Edward Aveling led her into misery and ultimately proved fatal.
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A satire on anti-communist paranoia in the days of fascist dictatorship in Portugal. The series follows the adventures of the “Lusitanian superhero”, the ultra-patriotic Captain Falcão, a man who follows the direct orders of António de Oliveira Salazar in the fight against the “red menace”. Starring Gonçalo Waddington, as Captain Falcão, David Chan Cordeiro (also responsible for coordinating the work of doubles) as his sidekick Puto Perdiz and José Pinto in the role of portuguese dictator, António de Oliveira Salazar.
A soldier reunites with his wife to take in the attractions at their favorite Halloween spot. But when real terror follows them home, they must fight for their lives – or become the next attraction.
Mike and Toni are on their way to the mountains for a romantic weekend, when their car breaks down. The couple take shelter in an empty cabin, unaware that it is being used by bisexual photographer Jan who is on an erotic shoot with model Kristin. Things get more complicated when Glen, a fashion editor, arrives. Soon inhibitions (and underwear) are being freely cast aside. But the lovers’ reverie is broken when Kristin’s psychotic boyfriend breaks in, seeking vengeance.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.