Sarah, an abused 16-year-old girl, is sent to a ranch for abuse survivors, and she meets Dreamer, a horse which has also suffered abuse. Together, Sarah and Dreamer overcome terrifying obstacles to find redemption.

A former Naval officer with a dark past must face off against an insurgent with a sound sensitive bomb.

Ruthless silver miner, turned oil prospector, Daniel Plainview moves to oil-rich California. Using his adopted son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainviews motives and intentions, starting a slow-burning feud that threatens both their lives.

Living in the liminal space between worlds, two young women find themselves falling in love for the first time, while also being forced to unexpectedly confront their families, each complicated by legacies of love and loss.

A witty, romantic, and very dangerous love story about chance meetings, instant attractions, and casual betrayals. Two couples disintegrate when they begin destructive adulterous affairs with each other.

On the brink of a midlife crisis, 30-something Mike O’Donnell wishes he could have a “do-over.” And that’s exactly what he gets when he wakes up one morning to find he’s 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he’d never made. But maybe they weren’t so bad after all.

The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.

A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.

A young mouse named Fievel and his family decide to migrate to America, a “land without cats,” at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he’d have to deal with again but also the loneliness of being away from home.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

When a law student uncovers chilling secrets and places her life at risk, a bitter, rough-around-the-edges detective gets assigned to her case.

A young thief with a history of grand theft auto becomes an informant and helps police bring down a criminal enterprise involved in the smuggling of hundreds of exotic super cars.