Newly elected President Nelson Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa’s rugby team as they make their historic run to the 1995 Rugby World Cup Championship match.

Follows veterans and active-duty service members from varied backgrounds who come together to combat their traumas through the written word in a USO-sponsored arts workshop at Walter Reed National Military Hospital.

With aerial footage from 54 countries, HOME is a depiction of how the Earth’s problems are all interlinked.

Comic Russell Brand uses drugs, sex and fame in a quest for happiness, only to find it remains elusive. As he explores iconic figures such as Gandhi, Malcolm X, Che Guevara, and Jesus, he transforms himself into a political antagonist.

Ten easy steps show you how to make money from drugs, featuring a series of interviews with drug dealers, prison employees, and lobbyists arguing for tougher drug laws.

A documentary exploring how Albanians, including many Muslims, helped and sheltered Jewish refugees during WWII at their own risk, and trying to help the son of an Albanian baker that housed a Jewish family for a year return some Hebrew books that the family had to leave behind.

Led by the success of the B-52’s and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80’s. Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony and share the ideals of the land. Live performances of R.E.M.’s “Swan Swan H” and “Dream (All I Have To Do)” at the Lucy Cobb Institute chapel are included. Also featured are performances and interviews frm the B-52’s, Pylon, B-B-Que Killers, Time Toy, Jim Herbert, Flat Duo Jets, Love Tractor, Kilkenny Cats, Squalls and more

Young members of 3 New Orleans school marching bands grow up in America’s most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself.

In 2010, the media branded a platoon of U.S. Army infantry soldiers “The Kill Team” following reports of its killing for sport in Afghanistan. Now, one of the accused must fight the government he defended on the battlefield, while grappling with his own role in the alleged murders. Dan Krauss’s absorbing documentary examines the stories of four men implicated in heinous war crimes in a stark reminder that, in war, innocence may be relative to the insanity around you.

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.