A converted Muslim woman Fatima narrates her ordeal of how she once wanted to become a nurse but was abducted from her home and manipulated by religious vanguards and turned into an ISIS terrorist and landed in Afghanistan jail.
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As a young scientist searches for a way to save a dying Earth, she finds a connection with a man who’s racing to catch the last shuttle off the planet.
Aaron Walker returns back to his old estate upon hearing about the death of his younger brother Tom who died from a drugs overdose. Aaron is forced to visit his old ways and delves into a life of crime, he soon uncovers some dark secrets about his past which come back to haunt him.
With Gandhi My Father, producer Anil Kapoor and director Feroz Abbas Khan have shed light onto Gandhi the person, rather than Gandhi the icon. Using Gandhi’s political career as a canvas, the film paints a picture of his intricate, complex, and strained relationship with his son Harilal Gandhi.
Eli is a man in his twenties with a calling on his life from a young age, but he’s been running from that calling – a modern day Jonah. After being fired by his father, arguing with his girlfriend in front of their daughter, and then a visit to the local pub, Eli decides to get out of town. On a lonely mountain highway Eli misses a turn and careens over an embankment, landing deep in the forest. It is a place of mystery with no way out, but it is there where God works on his heart. Satan is not far behind of course, working to convince Eli to take a different path. In the end Eli is faced with a choice that will have repercussions on generations as his destiny is to be the Billy Graham of his time.
A 14 year old boy, struggling with gender identity and religion, begins to use fantasy to escape his life in the inner city and find his passion in the process.
P.C. George Dixon (Warner) is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.
A romantic-comedy about an agoraphobic life coach who must overcome her fears in order to transition back into the world outside her apartment. With the support of her clients and her delivery guy she’s gains the courage to seeks it within herself.
A working-class family in London’s East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher’s premiership. Only the mother Mavis is working; father Frank and the couple’s two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis’s sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
‘It’s Alright Now’ tells the story of how a childhood accident in 1968 changes the lives of three kids forever and creates an inseparable bond.