A young governess is hired by a man who has become responsible for his young nephew and niece after the deaths of their parents. A modern take on Henry James’ novella “The Turn of the Screw”.

Sam Worthington stars as Isaac LeMay, a murderous outlaw who learns he is cursed by a prophecy: one of his children will kill him. To prevent this, he hunts down each of his estranged children including long-lost son Cal (Colson Baker). With bounty hunters and Sheriff Solomon (Thomas Jane) on his tail, LeMay must find a way to stop his children and end the curse.

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A film with no spoken dialogue, just follows the music and lyrics of Benjamin Britten’s “War Requiem, which include WWI soldier poet Wilfred Owen’s poems reflecting the war’s horrors. It shows the story of an Englishman soldier (Wilfred Owen) and a nurse (his bride) during World War I. It also includes actual footage of contemporary wars (WWII, Vietnam, Angola, etc.)

Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work — busily running the family corporate empire, he has no time for a wife and family. David is all play — technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who has been infatuated with David all her life, but David hardly notices her — “doesn’t even know I exist” — until she goes away to Paris for two years, and returns an elegant, sophisticated, beautiful woman. Suddenly, she finds that she has captured David’s attention, but just as she does so, she finds herself falling in love with Linus, and she finds that Linus is also falling in love with her.

A 13-year-old girl grows up between a boxing ring and the street. Her friends are guys who kill and rob. In the 1990s the whole city hates them, but for Masha they are the best people in the world, who love and protect her. She sings them jazz and dreams of becoming a singer. But one day Masha learns who they actually are and what they have done to her life and family. She matures, leaves the small city for Moscow, trying to break with her past. But one day the past stands directly before her.

After an elderly hospital patient dies, a nurse tries unsuccessfully to contact the next of kin. Later, a social worker continues the effort but finds only the neighbor who was feeding the patient’s dogs. A county investigator fails to locate any relatives and ultimately must process the belongings in the decedent’s home. Meanwhile, we follow a frail man’s discharge from the hospital and an older woman’s day spent running errands and trying to stay cool during a heat wave.

After his ad agency goes bankrupt, an indebted Fırat falls for a singer at a yoga retreat and joins her on a journey of self-realization.

Two tramps wait for a man named Godot, but instead meet a pompous man and his stooped-over slave.

Yale University, 1961. Stanley Milgram designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha stands by him through it all.

Paulo, a young pianist, meets Ilir, a double-bass player originally from Albania. It’s love at first sight. Confronted by Anka, Paulo finds himself out on the street. Despite Ilir’s misgivings, Paulo moves in with him. One day, when Paulo promises that he will love Ilir for the rest of his life, Ilir leaves the city and doesn’t return. A few days later, Paulo finds out that Ilir is in jail, and the two lovers embark on an heart-breaking relationship.

A powerful and seductive Hollywood mogul convinces an impoverished West Hollywood writer, whose lover has recently died of AIDS, to sell his autobiographical screenplay for big bucks. The writer, Robert, knows he’ll have to make major changes in the script (like changing the sex of the dying lover). During the rewrite, the producer, Jeffrey, takes Robert under his wing, introducing him to his wife Elaine, herself a closet screenwriter. Jeffrey approaches Robert for sex and Elaine approaches Robert out of curiosity about his sex life in grief. The entangled triangle of relationships threatens more than the completion of a film script. Written by