A widow finds out from her late husband’s mistress that his death was not an accident. Both women work together to unmask the truth behind the man they both loved.
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Granger, an ex-Special Forces soldier gets thrown back to medieval times to fulfill an ancient prophecy. Venturing through the now war torn Kingdom of Ehb, he teams up with an unlikely band of allies with the goal of slaying the leader of the “Dark Ones”. Fighting against all odds, they must free the land from the grasp of the evil tyrant Raven and save the world.
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A disillusioned young woman becomes a serial killer who targets wealthy land-owners, and a brilliant detective must use his unusual neurological condition to track her down.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
