Sweden, 1849. A poverty-stricken family decides to move to America in the hope of finding a better and more prosperous life. Although they know the journey will be dangerous and the pressure of facing a new life in a strange and wild land is great, they are determined to succeed.
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In an effort to “keep up with the Joneses”, a couple stretches their finances to purchase a home in an upper-class neighborhood. Due to a murder/suicide by the previous owners, the house is deeply discounted. After they move in, they form a quick friendship with a neighbor. But strange things begin to happen, and they soon suspect the neighbor may have played a part in the murders.
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
In 1838, lovely governess Elisabeth agrees to bear a child of anonymous English landowner, and he will in return pay her father’s debt. At birth she, as agreed, gives up the child. Seven years later she is hired as governess to a girl on a remote Sussex estate. The father of the girl, Charles Godwin, turns out to be that anonymous landowner. So Elisabeth has to be her own daughter’s governess, and she can’t reveal the secret of her tie with little Louisa.
A nursing student by day, massage therapist by night named Precious meets a client named Happy that leads her to the shady world of pornography.
Hamlet captures the Almeida Theatre’s 2017 acclaimed production of William Shakespeare’s great play, recorded as-live in its West End transfer on the stage of London’s Harold Pinter Theatre. Robert Icke’s innovative modern-dress production, featuring Andrew Scott, Juliet Stevenson, Angus Wright and Jessica Brown Findlay, has been widely acclaimed as a dazzlingly intelligent, forcefully contemporary staging. The Evening Standard hailed Andrew Scott’s ‘career-defining performance… he makes the most famous speeches feel fresh and unpredictable.’
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