San Diego, present day: The murders are starting again. A girl has been found with two holes in her neck and her body totally drained of blood. Lt Dan Richardson [Shane Pliskin] knows what it is but doesn’t believe it, so he calls in blind art-dealer Micah [Gary Busey]. Micah confirms the lieutenant’s suspicion that a vampire is at work and reminds him of the previous lesson learned by Jack Frost, who was forced to kill his best friend Nat McKenzie when Nat became a vampire.

An outwardly confident but unmarried woman on the verge of her fortieth birthday reflects on her past suitors and the choices she once made while attempting to help her marriage minded niece choose between a number of potential suitors in this tale inspired by the life and letters of Jane Austen. Jane Austen is about to turn forty, but she still hasn’t found her ideal man. When Jane is approached by her niece Fanny and asked to help select the perfect husband for the young girl, the aging spinster begins to wonder why it is that she never found a man to share her own life with. Perhaps if Jane had accepted the proposal of a wealthy landowner she could have saved her family from financial ruin, and what of the handsome young physician who once warmed to Jane after tending to her ailing family members?

True to their name, Slave to Sirens — the first and only all-woman thrash metal band in the Middle East — are utterly magnetic. Amid a backdrop of political unrest and the heartbreaking unraveling of Beirut, five bandmates form a beacon of expression, resistance, and independence. Director Rita Baghdadi follows founders and guitarists Lilas Mayassi and Shery Bechara as their tenderness, and sometimes bitterness, for one another grows in ways both unexpected and deeply moving. Joined by vocalist Maya Khairallah, bassist Alma Doumani, and drummer Tatyana Boughaba, these women negotiate their emotional journeys through young adulthood in tumultuous circumstances with grace, raw passion, and a ferocious commitment to their art. Their grit is tested as they grapple with the complexities of friendship, sexuality, and the destruction around them.

When Derek (AnDrew Seeley) moves to a new town and discovers a shortcut through the woods to his high school, he learns about a crazy old man who lives near its path: Legend has it that he abducted a group of teenagers years ago. Ignoring the warning, Derek and his friends set out to uncover the dark secret that’s buried deep in the woods. But will they survive to tell it?

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

A young boy comes back from a field trip in the woods with something inside him. His mother must resort to supernatural means to save her son and herself.

A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father’s will. After a while she discovers that they are all in fact dead and her decision to live with them turns into a nightmare. Unable to leave she’s drawn into a macabre underworld through visions of nude satanic rituals and her own impending sacrifice.

October, 2008. Young nun Colleen is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.” On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.

Out in public, Ivy is a New Orleans lounge singer trying to make a name for herself. When alone, though, she suffers from a terrifying eating disorder. And the more she hides her struggles, the stronger her inner demons become.

Four women, who have their own different sorrows, embark on a road trip. They look back at their past and restart their lives… Jinko (Aoi Miyazaki) and Motoko (Sakura Ando) have been friends since their university days. One day, they hear a rumor about their former classmate and friend Miki (Kazue Fukiishi). The rumor is that Miki ran into the sea, but got out safely. Jinko and Motoko decide to visit Miki to see if she is OK. In addition, Haraki (Shiori Kutsuna), who Jinko met at the library where she works, joins their trip as a driver. Their one night and two days road trip begins.

When a small town near the Arizona-Mexico border is wiped out overnight, suspicion falls on the lone survivor. But a roll of photos the survivor took that night tells a different story.

A young girl finds herself entranced by a beam of light moving through her home and tries to capture it in a jar, only to realize that there are things she loves that she cannot posses.