Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
You May Also Like
Five single people try to figure out dating in the age of social media, texting, hanging out and hooking up.
Having previously investigated the architecture of Hitler and Stalin’s regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn’t dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini’s love of a fancy uniform.
Ireland has gone MMA mad. The new wave of fighters will be better than ever.
A traveling trader provides a window into rural life in the Republic of Georgia, where potatoes are currency and ambition is crushed by poverty.
From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton’s impressive career, but at a broader portrait of the man.
Fathers who are fighting for a fair chance to get the time to be a true father to their children in a system that they believe to be corrupt and unfair.
The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.
In August 1997, the tragic death of Diana, Princess of Wales, stunned her family and catapulted the British public into one of the most extraordinary weeks in modern history. What was it about Diana that resulted in such an outpouring of grief? And what does that week reveal about Britain’s relationship with the monarchy, then and now?
A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.
Like it or not, porn is here and it is harmful. In this controversial film, award-winning filmmaker Justin Hunt dissects the impact of pornography on societies around the globe, from how it affects the brain of the individual, to how modern technology leads to greater exposure to youth, to watching it literally tear a family apart. In what may well be one of the most devastating issues in modern culture, this film will break down the damage that porn is doing to us a human race and leave you thinking that it’s clearly time that we start taking porn addiction a bit more seriously.
Television’s “King of Queens” reigns again in this Comedy Central special — the network’s first-ever hour-long show devoted entirely to one comic, taped live in July 2001 at New York City’s Hudson Theatre. James riffs on life’s many “royal” pains, including waiting in line with strangers, negotiating with the airport ticket counter clerk, underwear wedgies, boringly slow answering machine messages and more.
