Physician Carole Nelson, suspected of having ties to notorious gangster Joe Gurney, must prove her innocence or the Medical Board will revoke her license. When Gurney seeks her out for treatment after being shot, it could be the break Nelson needs. Now she has a chance to use her medical know-how to outwit Gurney and his goons and reestablish her professional reputation.

After losing her boyfriend and her job right before Valentine’s Day, Olivia is introduced to George who takes her on a cross country road trip that has them reevaluating their priorities.

Xiang Wei-xin, a 17-year-old high school sophomore, regards eating as the most important and most healing thing in life. The first time she met her senior Tao You-quan was in the school’s welfare agency. At that time, Xiang Wei-xin lost 5 yuan and could not buy her favorite pineapple bread. Tao You-quan made up the money for her, which made her feel deeply indebted to her.

A PhD student expands her studies to include the whales of the Pacific Northwest. There she meets a whale watching tour guide and they soon find themselves bonding over more than just Orcas. Stars Rhiannon Fish, Ben Hollingsworth.

During the Blitz of World War II, a female screenwriter (Gemma Arterton) works on a film celebrating England’s resilience as a way to buoy a weary populace’s spirits. Her efforts to dramatise the true story of two sisters (Lily Knight and Francesca Knight) who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.

The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.

An ugly girl undergoes plastic surgery and becomes beautiful. She then takes revenge on all the people who mistreated her when she was ugly.

Ichikawa’s 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa’s film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

The wife of a Marine serving in Vietnam, Sally Hyde (Jane Fonda) decides to volunteer at a local veterans hospital to occupy her time. There she meets Luke Martin (Jon Voight), a frustrated wheelchair-bound vet who has become disillusioned with the war. Sally and Luke develop a friendship that soon turns into a romance, but when her husband, Bob (Bruce Dern), returns unexpectedly, she must decide between staying with him and pursuing her new love.

The story of Heidi Fleiss, known as “The Hollywood Madam”, who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss’ operation and soon was raking in $300,000 a month by hiring only the most beautiful and highest-class hookers and catering to wealthy Hollywood types, European and American corporate executives and Arab sheiks. Her operation was broken up by Los Angeles police in 1993, and she eventually went to prison for income-tax evasion.

The summer before college Auden meets the mysterious Eli, a fellow insomniac. While the seaside town of Colby sleeps, the two embark on a nightly quest to help Auden experience the fun, carefree teen life she never knew she wanted.

O.C. and Stiggs aren’t your average unhappy teenagers. They not only despise their suburban surroundings, but they also plot against it. They seek revenge against the upper-middle-class Schwab family, who embody all they detest: excess.