Filmed in New York City at Madison Square Garden, the concert special will feature the singer-songwriter performing a repertoire of Carey’s festive holiday hits, including the perennial favorite, “All I Want for Christmas Is You.”
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When the Kwimper family car runs out of gas on a new Florida highway and an officous state supervisor tries to run them off, Pop Kwimper digs in his heels and decides to do a little homesteading. He and his son Toby and their “adopted” children – Holly, Ariadne and the twins – start their own little community along a strip of the roadside.
In this feature-length film based on the “Flintstones” TV show, secret agent Rock Slag is injured during a chase in Bedrock. Slag’s chief decides to replace the injured Slag with Fred Flintstone, who just happens to look like him. The trip takes Fred to Paris and Rome, which is good for Wilma, Barney, and Betty, but can Fred foil the mysterious Green Goose’s evil plan for a destructive missile without letting his wife and friends in on his secret?
Billy Bigelow has been dead for 15 years. Now outside the pearly gates, he long ago waived his right to go back to Earth for a day. He has heard that there is a problem with his family: namely with his wife Julie Bigelow, née Jordan, and his child he hasn’t met. He would now like to head back to Earth to assist in rectifying the problem; but before he may go, he has to get permission from the gatekeeper by telling him his story. Adapted from the Rodgers and Hammerstein hit Broadway musical.
When a capable dancer is provoked by the evil design of his employer, naturally he will be out to prove his mettle.
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show’s 2010 original production at the Queen’s Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play’s musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical’s heyday.
A 14 year old boy, struggling with gender identity and religion, begins to use fantasy to escape his life in the inner city and find his passion in the process.
Two couples on a camping trip meet a mountain man, who tries to seduce them; but theater people don’t belong in the woods.
Cowabunga! The surfing ’60s ride into the new wave as Frankie and Annette star in this hip update of their old-time, good-time beach movies. With special appearances by Bob Denver, Tony Dow, Pee-Wee Herman, Jerry Mathers and other familiar faces. Frankie and Annette grow up and have kids in the midwest. They return to LA to visit their daughter who is shacked up with her boyfriend and tries to hide the fact. They begin to have marriage problems when Frankie runs into Connie, who has erected a shrine to him in her night club. Their punk son has joined up with the local surf toughs, and things all come to a head when the toughs challenge the good guys to a surfing duel
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
Cremaster 5 (55 min, 1997) is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.
The assistant stage manager of a small-time theatrical company is forced to understudy for the leading lady at a matinée performance at which an illustrious Hollywood director is in the audience scouting for actors to be in his latest “all-talking, all-dancing, all-singing” extravaganza.
