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Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world’s most beautiful species.
U2, Talking Heads, Depeche Mode, Blondie, Duran Duran, Tears for Fears, The Clash, The Cure: Over half a billion records sold but you may never have heard of them if not for a small suburban radio station on Long Island, NY: WLIR. In August, 1982, a small group of radio visionaries knew they couldn’t compete with the mega-stations in New York City. With one brave decision, they changed the sound of radio forever. Program Director Denis McNamara, the ‘LIR crew and the biggest artists of the era tell the story of how they battled the FCC, the record labels, mega-radio and all the conventional rules to create a musical movement that brought the New Wave to America.
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.
The November 13, 2015 terrorist attack in Paris claimed 130 lives around the city — 89 of them at the Eagles of Death Metal’s Bataclan Theatre concert. “Eagles of Death Metal: Nos Amis (Our Friends)” spotlights the American rock band as they recount their experiences before and after the tragic events. The film explores the deep bonds between band co-founders Jesse Hughes and Josh Homme (also a member of Queens of the Stone Age), as well as the intense connection the band has always had with its devoted fans, which moved them to return to Paris to perform once again in February 2016.
Telmo is a retired theater director that realizes he doesn’t remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he’d rather forget.
Chronicles the final tour from Black Sabbath. On February 4th, 2017, Black Sabbath takes the stage in Birmingham, the city where it all began, to play the 81st and final gig of the tour and bring down the curtain on a career that spanned almost half a century.
Welcome to the captivating world of urban exploration, an international subculture of fearless thrill-seekers who lurk beneath city streets and trespass into long-abandoned buildings, defiantly searching for unseen treasures of modern civilization. Documentary filmmaker Melody Gilbert follows Max Action, Slim Jim, Katwoman and Turobzutek as they infiltrate aging lunatic asylums, government sites, faded tourist attractions, sewers, drains, and even the forbidden Catacombs in Paris. Many explore armed with only a camera, often snapping astonishingly beautiful photos.
Jack Whitehall invites his notoriously stuffy father onstage in London’s West End for a Christmas comedy extravaganza, complete with celebrity guests.
Journalist Jenny Eliscu and filmmaker Erin Lee Carr investigate Britney Spears’ fight for freedom by way of exclusive interviews and confidential evidence.
Villeneuve Pironi tells the astonishing story of Canadian Formula 1 legend Gilles Villeneuve and French star Didier Pironi, two fearless Ferrari Formula 1 racing drivers, forever torn apart by a historic and hugely controversial moment in time.