James Castrission and Justin Jones, dare to not only tackle the perilous journey across Antarctica to the South Pole and return, but to do it completely unassisted – no sled dogs, no wind kites, just two men dragging their food, their shelter and themselves across 1140 kilometres of barren ice. And back again. As they battle frostbite, hypothermia, crevasses and starvation over three months of torture in the harshest place on Earth, Cas and Jonesy discover their limits, the nature of sportsmanship and the boundaries of the human spirit.

Barbecue is about more than grilling a piece of meat. It’s a ritual performed religiously across the world. For some it’s a path to salvation. It is the pride of nations. And the stories told around the fires become a way to bring the world together.

From acclaimed director Michael Apted (The Up Series, Masters of Sex, The World is Not Enough) comes a revealing look at the art of filmmaking and photography. A journey of glass, the documentary explores the relationship between the artisans who create camera lenses and the masters of light who use these lenses to capture their beloved art form. Bending the Light features never-before-seen footage from inside a premier Japanese lens factory, intimate interviews with lens engineers, and a peek into the world of award-winning photographers and cinematographers Stephen Goldblatt, ASC, BSC, Greg Gorman, Simon Bruty, Laura El-Tantawy, and Richard Barnes.

Ricky Gervais dishes out controversial takes on political correctness and oversensitivity in a taboo-busting comedy special about the end of humanity. Recorded at The London Palladium.

Shameless — and shirtless — as ever, Bert spills on bodily emissions, being bullied by his kids and the explosive end to his family’s escape room outing.

White Diamond: A Personal Portrait of Kylie Minogue is a 2007 documentary film directed and produced by William Baker and chronicling the life of Australian singer Kylie Minogue during her Showgirl: The Greatest Hits Tour in 2005. White Diamond was filmed between August 2006 and March 2007 in both Australia and the United Kingdom and follows Australian pop singer-songwriter Kylie Minogue on concert tour before and during her resurrected Showgirl: The Homecoming Tour, originally abandoned halfway through its original 2005 run, in Sydney, when Minogue was diagnosed with breast cancer. Intended as a document of Minogue’s return to the stage following her treatment and recovery from cancer, the film also features on-stage and back-stage footage and interviews with a number of Minogue’s tour crew, including Baker himself.

When a legendary escape artist comes up for parole after 30 years behind bars, a chance for freedom must be weighed against his infamous past.

Children Underground follows the story of five street children, aged eight to sixteen who live in a subway station in Bucharest, Romania. The street kids are encountered daily by commuting adults, who pass them by in the station as they starve, swindle, and steal, all while searching desperately for a fresh can of paint to get high with.

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.

That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.

Forty years after the release of Michael Jackson’s ‘Thriller,’ the best-selling album of all-time, director Nelson George takes fans back in time to the making of a pop masterpiece, featuring never-before-seen footage and candid interviews.