Amaia, who has just become a mother, decides to return for guidance after her partner is temporarily away, to her parents’ house along the Basque coast.
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Olga is a complex young woman desperate to break free from her unfeeling family and social conventions. With her Louise Brooks-like tomboyish looks she drags herself, chain-smoking, from one job to another until she appears to find her niche as a truck driver. Although she has female lovers she does not form a bond with any of them; instead she clashes, time and again, venting herself in wordless emotional outbursts and other behavioural extremes.
After vowing never to return, a young woman must come home for Christmas to save her father from trapping himself inside his few remaining memories.
Wreaths at the Foot of the Mountain is a 1984 Chinese film about the life of the soldiers in a PLA army company before, during and after the Sino-Vietnamese War.
Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together
A young lawyer defends a black man accused of murdering two men who raped his 10-year-old daughter, sparking a rebirth of the KKK.
Brimming with action while incisively examining the nature of truth, “Rashomon” is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife.
Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.
Salvatore Sebergandio presents aged mafia Hit-Man, (Robert Woods), who is sent to Los Angeles’s San Fernando Valley to hang low after a major job, but while in L.A., the Hit Man gets involved with a Witch (Shannah Laumeister Stern) and two Mafia brothers, (Marco and Marcello Cacioppo) who live in a world that blurs reality with fantasy; all for power and wealth; as members of a Hollywood cult are eliminated.
In a violent, post-pandemic world, a peace-loving man is forced on a desperate journey to find life-saving drugs for his wife – but to get them he must first help an ornery old man defend his cabin against all-comers.
A re-imagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement.
A father coming to grips with his daughter’s upcoming wedding through the prism of multiple relationships within a big, sprawling Cuban-American family
