Josh meets a young woman who shortly afterwards collapses and is rushed to hospital in an ambulance. He follows after her only to find that there is no record her being admitted, and he soon learns that her room mate also vanished after being picked up by the same ambulance. Convinced of a conspiracy, Josh proceeds to investigate, despite the discouragement of the police.

A group of Yokohama students fight to save their school’s clubhouse from the wrecking ball during preparations for the 1964 Tokyo Olympic Games. While working there, Umi and Shun gradually attract each other, but face a sudden trial. Even so, they keep going without fleeing the difficulties of reality.

Trevor is ‘between jobs’. He spends his days avoiding his nagging heifer of a wife by hiding out in his allotment shed and painting figurines for his wargames with his agoraphobic friend, Graham, and dreaming of his heroic alter-ego, the battle mage Casimir the Destroyer. When Mr Parsons, one of the other allotment tenants, petitions to have Trevor removed from his disgrace of a plot (he’s not there to grow stuff!) an argument ensues that leaves Trevor with a corpse to hide. Unfortunately, this untimely accident coincides with the zombie apocalypse and Mr Parsons’ return is just the beginnings of Trevor’s problems. More pressing is whether or not he should try and save his wife and her beautiful best friend, who both he and Graham have a thing for.

“Blazing Famiglia” centers around a family of former teenage gangsters. Tetsu Hino (Yoshimi Tokui) was once the leader of the most feared motorcycle gang in the Kanto area. Now, Tetsu Hino is middle-aged man who is looked down upon by his rebellious son Shuhei (Kento Hayashi). One day, Tetsu and his old biker gang gather together again after the daughter of a member is assaulted. Tetsu, worried about his day to day life, nevertheless regains the passion from his biker days. Tetsu then finds out that Ken Igarashi (Jun Murakami) is the man behind the attack. Ken Igarashi has had a grudge against Tetsu for a long time.

Three different men, three different worlds, three different wars – all stand at the intersection of modern warfare – a murky world of fluid morality where all is not as it seems.

The 9th Godzilla film was the last made by the original Godzilla creators, and was meant to be a grand finale. Aliens have released all the giant monsters from their imprisonment on Monster Island and are using them to destroy earth’s major cities. It is up to the daring crew of the super rocket ship X-2 to infiltrate the aliens’ headquarters before the Earth monsters and King Ghidrah annihilate the planet.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie’s male alter-ego, “Male Jamie,” and Jill, a heterosexual woman on set. The film’s subplots include Jamie’s bisexual roommate Lola and her cat actor Howard, Lola’s abrasive butch German girlfriend Andi, and Jamie’s gay Asian friend David.

When a New York lawyer returns to his Boston hometown to reunite his dying friend with his young son, he is forced to finally confront a childhood trauma.

Leroy, Reggie and Cheruce Paloni host a Halloween special full of spooky shorts from a group of up-and-coming animators.

Jackie Chan plays the part of the class clown in a shaolin temple whose deadliest secret is stolen. All is lost until Jackie’s character discovers dancing blue ghosts with bright red hair who haunt the library.

Private eye Rafe Guttman is hired by repressed, born-again Katherine to find her missing bad-boy brother. The trail leads him to a whorehouse run by a thousand-year-old vampire and secretly backed by Katherine’s boss, televangelist Jimmy Current.

Years after Peter Pan and the Lost Boys have overthrown the pirates, Peter visits London to return Wendy to Neverland and is kidnapped by a mysterious Stranger residing in the decaying remains of the Darling House. Peter is forced to confront a harsh reality that challenges his innocence. East of Kensington takes a dark introspective look into JM Barrie’s classic story.