To fulfill his mother’s dying wish and avoid being removed from her will, an inflexible bachelor hires an actress to play his fiancée.
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An estranged family gathers together in New York for an event celebrating the artistic work of their father.
Three years into their loving marriage, with two infant daughters at home in Los Angeles, Nicholas Arden and Ellen Wagstaff Arden are on a plane that goes down in the South Pacific. Although most passengers manage to survive the incident, Ellen presumably perishes when swept off her lifeboat, her body never recovered. Fast forward five years. Nicky, wanting to move on with his life, has Ellen declared legally dead. Part of that moving on includes getting remarried, this time to a young woman named Bianca Steele, who, for their honeymoon, he plans to take to the same Monterrey resort where he and Ellen spent their honeymoon. On that very same day, Ellen is dropped off in Los Angeles by the Navy, who rescued her from the South Pacific island where she was stranded for the past five years. She asks the Navy not to publicize her rescue nor notify Nicky as she wants to do so herself.
A wanna-be author feels pressured to move beyond her meandering writing career and get a more stable job. She decides to organize a Shakespeare festival, a plan that could have tricky ramifications for her marriage.
Two decades after divorcing and taking separate paths in life, a former couple is working to obtain an official declaration of invalidity of their brief marriage.
A group of kids discover one of the drums containing a rotting corpse and release the 2-4-5 Trioxin gas into the air, causing the dead to once again rise from the grave and seek out brains.
Tough talk takes a soft turn as Nate, played by comedian Natalie Palamides, explores humor, heartbreak, sexuality and consent — with a live audience.
Joe is an ugly loser, incapable of picking up women. But when he’s taught a magical power, capable of transforming him into anyone he pleases and then back to his normal self, he decides to use it to live out his perverse fantasies. Initially content just watching them shower, Joe soon tires of mindless nudity and gears up to take his ultimate revenge against womankind: luring them to his shabby apartment, violently killing, and even eating them!
Pedro goes out searching for a girl, but the night doesn’t seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can’t stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.
A comedy about a fried seafood cooking competition. The 43rd Golden Scallop pits a food truck seeking redemption, an aging former champion and a well financed, novelty friendly fish house against each other in the truest test of short order cooking mettle.
An ultra-efficient Plain Jane secretary blossoms when she accompanies her boss on a business trip to Paris.
“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.
