A young girl is kidnapped during a powerful storm. Her mother joins forces with her mysterious neighbour to set off in pursuit of the kidnapper. Their journey will test their limits and expose the dark secrets of their past.
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A mad world of mad kings, teetering on the brink of disaster Richard the Lionheart is dead. His brother John is King of England. Threatened from all sides by Europe, the English noblemen and even his own family, King John will stop at nothing to keep hold of his crown. Shakespeare’s rarely performed tale of a nation in turmoil vibrates with modern resonance in this vivid new production by Director Eleanor Rhode in her debut at the RSC.
El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.
Ichikawa’s 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa’s film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.
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Mary Lennox is born in India to wealthy British parents who never wanted her. When her parents suddenly die, she is sent back to England to live with her uncle, Archibald Craven. She meets her sickly cousin Colin and the two children find a wondrous secret garden lost in the grounds of Misselthwaite Manor.
Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
The early life of Walt Disney is explored in this family film with an art house twist. Though his reality was often dark, it was skewed by his ever growing imagination and eternal optimism.
