A self-absorbed celebrity gamer, who speaks to millions of fans every day, has to figure out how to talk to the people in his life before he loses them.
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Passengers on their way to a tropical paradise crash at sea and find themselves on a deserted island. Desperate to survive the elements and infighting between survivors, they find that the island has more in store for them than they could ever imagine.
Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name “Surfistinha” which means little surfer girl.
Alan Clay, a struggling American businessman, travels to Saudi Arabia to sell a new technology to the King, only to be challenged by endless Middle Eastern bureaucracy, a perpetually absent monarch, and a suspicious growth on his back.
Chicago February 14th 1929. Al Capone finally establishes himself as the city’s boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran’s rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.
From the sheer bliss of a hot shower to the saucy joys of an empty nest, Tom Papa tackles aging, parenthood and more in this witty comedy special.
An Irish funeral has a wake. A Jewish funeral has sitting shiva. A traditional Chinese funeral is something else entirely. Thats what the estranged siblings of the Chinese-American Xiao family must undergo upon news of their mothers death. The one brother and three sisters dont get along, however they share one thing: hatred for their domineering and manipulative mother, the Dragon Lady.”
In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.
A man preoccupied with reading his Wall Street Journal goes into an antique store looking for a one-year-anniversary present for his wife. The old lady behind the counter gives him a bottle of perfume and warns him that it is “powerful,” but he doesn’t listen…
Mrs. Thurston, a socially ambitious widow, is holding one of her famous Bohemian parties. To these functions are invited the leading lights of the several professions, actors, artists, musicians, etc. Surrounded by these men and women of art and letters, she was at first entertained, but they soon palled and bored. On this evening in particular, she is especially possessed of ennui, until the appearance of Raymond Hartley, a wealthy young bachelor, who is introduced into the circle by a newspaper man. An attachment immediately springs up between the widow and Raymond.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
