Presenting the tale of American founding father Alexander Hamilton, this filmed version of the original Broadway smash hit is the story of America then, told by America now.
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The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.
Mrs. Thurston, a socially ambitious widow, is holding one of her famous Bohemian parties. To these functions are invited the leading lights of the several professions, actors, artists, musicians, etc. Surrounded by these men and women of art and letters, she was at first entertained, but they soon palled and bored. On this evening in particular, she is especially possessed of ennui, until the appearance of Raymond Hartley, a wealthy young bachelor, who is introduced into the circle by a newspaper man. An attachment immediately springs up between the widow and Raymond.
Unsure of what to do next, 23-year-old Marnie tries her best to navigate life after college in this romantic comedy. Still partying like there’s no tomorrow, Marnie drags herself out of bed for her miserable temp job and can’t decide whether she’s wasting her time going after best buddy Alex, who doesn’t seem to be interested.
Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man’s gin-soaked, pill-popped view of what it was like to be black and gay in 1960s United States. Preserved by the Academy Film Archive in partnership with Milestone Films in 2013.
A psychological horror about a young woman coping with an unwanted pregnancy after moving into a seemingly haunted house.
After discovering a sacred stone in the mouth of a deer he just killed, Taibei, a young lonesome Tibetan cowboy, embarks on a long and difficult mission: to bring it back to the holy mountain of Buddha’s handprint. His journey turns sour as an obstinate woman, Joan, and a psychic yet dumb elf, Pu, soon decide to join him. Not to mention the two violent brothers on his tale, who are on a revenge quest.
Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will’s hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.
Étienne Meunier (Benoît Magimel) is a young executive who has everything going for him. His career is skyrocketing and he is about to become #1 at work, he is married to a picture-perfect wife, has a dream home and money. To top it off, he’s charming, healthy and everyone likes him and seems to consider him “a great guy”. But beneath the surface, not everything is perfect. Meunier feels some pressure at work, knowing others eye his future position and he and his wife have been unable to have children so far. One day, Meunier bumps into a childhood friend, Patrick Chambon (François-Xavier Demaison) and the two resume their friendship, despite Chambon having struggled as a petty criminal.
The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.
A mythic motorcycle tale of father and son”, this is the story of Manuel Galloway, also known as “the King of Cali”, the president of a motorcycle club whose members are all African-American men, mostly white-collar workers who exchange their suits and ties at night and on weekends for leather outfits and motorcycle helmets.