An optimistic, talented teen clings to a huge secret: she’s homeless and living on a school bus. When tragedy strikes, can she learn to accept a helping hand?
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After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.
In a city where the high school drop out rate is at its highest, a pre-destined path of murder, crime, and drug trafficking seems to be the only way of life for teenagers growing up in Liberty City.
Keith, a small-time drug dealer is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.
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Buck, a Marine, has returned from the Iraq war. With physical disabilities, PTSD, and no real family to care for him, he can’t seem to fit into society. His cousin David puts his own life aside to care for him. Things get heated with family and friends who argue Buck is the government’s problem. David must do what is right.