Germany, 1933: Little Anna Kemper lives with her family in Berlin. Since her father, a famous theater critic, is an open opponent of the National Socialists, he has to flee to Zurich after Hitler’s rise to power. The mother, Anna and her twelve-year-old brother soon follow him. Because there is hardly any time to prepare for the escape, Anna has to leave her beloved stuffed rabbit in a hurry. But the family does not find a permanent home in Switzerland either. Again and again Anna has to adapt to the constantly changing circumstances, face new challenges with her family and face great privations. Nevertheless, Anna tries not to lose braveness.
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When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.
Aging samurai Hanshiro Tsugumo arrives at the home of Kageyu Saito and asks to commit a ritual suicide on the property, which Saito thinks is a ploy to gain pity and a job. Saito tells Tsugumo of another samurai, Motome Chijiiwa, who threatened suicide as a stratagem, only to be forced to follow through on the task. When Tsugumo reveals that Chijiiwa was his son-in-law, the disclosure sets off a fierce conflict.
When a new kid named Cory moves to town, he’s picked on by the school bullies. To protect himself, he doesn’t use his fists-he uses his brain instead! He scares the bullies off by fibbing that his father is a hit man for the mob. Word quickly spreads around and gets the attention of the REAL mobsters in town, too. Now his dad has the problem! As shenanigans between the family and the mobsters ensue, Cory must find a way to make things right.
A mother and her three daughters — romantic Bee, sensible Evie, and child of nature Daisy — occupy the titular glass building, which has been completely sealed off to protect its occupants from a dementia-inducing toxin called the Shred that’s poisoning the air outside. Fearful of becoming like the lost souls who wander the abyss outside, the family keep a grasp on their past by performing sacred rituals. When Bee breaks the rules and lets an injured stranger into their midst, the family dynamic is shattered forever, as hidden truths upend the illusions the women have worked so hard to protect.
It’s 1969 at a strict English girls’ school where charismatic Abbie and intense and troubled Lydia are best friends. After a tragedy occurs at the school, a mysterious fainting epidemic breaks out threatening the stability of all involved.
Four friends Kalim (Angad Bedi), Gautam (Neil Bhoopalam), Maya (Kangana Ranaut) and Abhay (Randeep Hooda) form a gang called the “Ungli” gang which fights against corruption prevailing in society. Their job is to target corrupt people and punish them in a unique manner. Due to increased popularity and their high profile targets, they are sought by Mumbai police department as “wanted”. Their case is the responsibility of ACP Ashok Kale (Sanjay Dutt) and inspector Nikhil Abhyankar (Emraan Hashmi). Nikhil disguises himself as a college student and joins the ungli gang with the hidden motive of arresting them. But soon, his heart changes after learning the story of why ungli gang was formed. Meanwhile, Kaale is compelled to seek help from the gang when Nikhil helps him expose the gang’s greatest target, B.R. Dayal (Mahesh Manjrekar) and his son Anshuman.
After discovering a sacred stone in the mouth of a deer he just killed, Taibei, a young lonesome Tibetan cowboy, embarks on a long and difficult mission: to bring it back to the holy mountain of Buddha’s handprint. His journey turns sour as an obstinate woman, Joan, and a psychic yet dumb elf, Pu, soon decide to join him. Not to mention the two violent brothers on his tale, who are on a revenge quest.
When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
A young widower sidesteps grief, loss, and familial dysfunction when he steals his wife’s ashes and sets off on an impulsive odyssey through America’s heartland in the charming new road trip comedy, Monuments. Ted (David Sullivan) encounters a cast of eccentric characters, including his rival Howl (Javier Muñoz), who direct and misdirect him on his mission to find something he’d lost long before the death of his wife Laura (Marguerite Moreau). Monuments infuses humor and hope into a story of mourning, loss, and marriage to create one of the best feel-good indie films of 2021.
