After their boat capsizes in the Mediterranean Sea, a group of refugees are rescued by rich Europeans who offer them shelter on an idyllic island. But the miracle soon becomes a nightmare when the saviors turn into ruthless manhunters.

Overachieving actress, Rebecca (Moore), must come to grips with her failing marriage to stay-at-home dad, Tom (Duchovny). While Rebecca’s slacker brother, Tobey (Billy Crudup), can’t seem to commit to his aspiring-novelist girlfriend, Elaine (Maggie Gyllenhaal). As both relationships spin out of control, the two couples embark on a quest to rediscover the magic and romance of falling in love in New York.

Jessica is a new mom in town and at first, she is welcomed into the circle of elite moms, but when her daughter outperforms power mom Olivia’s daughter, she finds herself ostracized.

Slastan, a Karadjistan man, is willing to blow himself up aboard a Moscow plane bound for Madrid, but his plan is complicated when, due to a snowstorm, the flight is delayed. Staying in a hotel, the terrorist will have to live with the 332 people who he will kill until the storm ceases, which prevents him from continuing his mission. Slastan knows, speaks and relates to his future victims and begins to wonder if suicide and ending the lives of all these innocent people is really right.

Haunted by the death of her husband, Liz uproots her daughter and moves them to a small town, where the real nightmares begin.

Ask any parents and the most common problem being faced by them in the current times will bring out the real picture of the educational institutes functioning in our present social system. Fast moving towards the extreme commercialism of this noble profession, the schools and colleges of every major city are no-where less than any corporate business houses running with the sole motive of profits. Have they forgotten their actual task of imparting education to the future generation and Have they completely given up the nobleness of the profession….are the questions raised by this well intended project aptly titled “Paathshaala”.

Bloom Towne is a small-town sheriff under the thumb of the well-established, deeply influential Mayor Dick Cavanaugh’s family. When Bloom’s two teenage sons, Nate and Skylar accidentally shoot and kill Dick during a deer-hunt, Bloom’s long-held allegiance to the reigning Cavanaugh clan is tested. Skylar (still a minor) decides to take the wrap for his older brother Nate, claiming he fired the fatal shot. The Cavanaugh family’s quick retaliation sends Skylar on his way to county jail, soon to be tried as an adult. Desperate and guilt-ridden, Nate breaks Skylar out of jail and sets off a chain of lawless acts, which send them deep into the woods and on the run. Bloom’s choice between the law and his sons leads to revelations of old family secrets that threaten to destroy everything he loves.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.

A boy preacher named Isaac goes to a town in Nebraska called Gatlin and gets all the children to murder every adult in town.

Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the “Soap-Maker of Correggio”.

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

A mid-western farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of southern vampires who roam the highways in stolen cars.