The night of August 24, 1944. The fate of Paris is in the hands of General von Choltitz, governor of Grand Paris, who is preparing, on Hitler’s orders, to blow up the French capital. The descendent of a long line of Prussian military men, the general has never had any hesitation when it came to obeying orders. This is what’s on Swedish consul Raoul Nordling’s mind as he takes the secret staircase that leads to General von Choltitz’s suite at the Hôtel Meurice. The bridges on the Seine and the major monuments of Paris (including the Louvre, Notre Dame, the Eiffel Tower) are mined with explosives, ready to be detonated. Armed with all the weapons of diplomacy, the consul will try to convince the general not to follow Hitler’s order of destruction.

A reporter (Bridget Fonda) gets the scoop on the first ever human cloning, but the furor surrounding the event jeopardizes the baby’s birth and the career of the doctor (Mary Beth Hurt) responsible for creating the clone.

Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi’s family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.

In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.

After a messy divorce, a struggling writer takes a holiday on the French Riviera, where he decides to investigate a series of mysterious incidents.

Teenagers Zach and Josh have been best friends their whole lives, but when a gruesome accident leads to a cover-up, the secret drives a wedge between them and propels them down a rabbit hole of escalating paranoia and violence.

Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour “episodes,” and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O’Brien. In Pier 23, O’Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film’s two-part structure leads to repetition and predictability, but it’s fun to watch TV’s “Ward Cleaver” making like Philip Marlowe.

In a small town in central France, Simon is a priest devoted to his parish. During a mass, Louise, whom he hadn’t seen since his seminary years ago, reappears. She introduces him to Aloé, an 11-year-old child, who is his son. This news will disrupt his daily life: can he be a good priest for his parishioners and a good father for his child? Simon will try to convince the highest authorities of the Church that his vocation is compatible with paternal love.

A woman who is robbed on her way to catch the 1:30 train to Boston is left stranded in New York City. She meets a man who helps her during the course of the night and the two form a romance.

When a hard-working but uninspired sous chef accidentally discovers her boyfriend is going to propose to her on Christmas Eve, she begins doubting their future together; especially when a handsome maple farmer rescues her from a snowstorm.

On a romantic weekend away, Rory and Saff become victims of an unthinkable tragedy and their lives will never be the same. Rory’s manic obsession fuels his desperate search for those responsible as he spirals deeper and deeper into madness.

Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring. Director Sidney Lumet gives an atmospheric vision of the future with a Cold War backdrop.