If Harmony Korine and Luis Bunuel had taken a crack at co-directing Office Space it still wouldn’t be as bizarre as filmmaker Juan Ortiz’s crime/comedy/body horror filled debut.
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Since the early days, Jerry Lewis – in the line of Chaplin, Keaton and Laurel – had the masses laughing with his visual gags, pantomime sketches and signature slapstick humor. Yet Lewis was far more than just a clown. He was also a groundbreaking filmmaker whose unquenchable curiosity led him to write, produce, stage and direct many of the films he appeared in, resulting in such adored classics as The Bellboy, The Ladies Man, The Errand Boy, and The Nutty Professor.
Singleton Kartar Singh is left with the responsibility of raising his two orphaned nephews. He asks his brother in Punjab to raise Charan and his sister in London to raise Karan. When the twins cross continents, they leave behind a trail of confusion.
Liam is set to wed a younger French girl in the Hamptons. His sister Audrey and her husband Ethan drive to attend the wedding, yet Audrey’s motives are likely to stop the wedding. Audrey and Clemence do not get along, a perfect gorgeous French woman reminds herself of how imperfect her own life is. Feelings of jealousy due to her own lost opportunities, uncertainty of herself and her 40 years of lifetime choices could explode and scorch her new sister-in-law.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
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