The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.
You May Also Like
Ciro’s body is sinking in the dark waters of the Gulf of Naples. And as it sinks deeper and deeper, memories emerge. The sounds muffled by the water merge with the screams of fleeing people. It is 1980, the earth shakes, the palace collapses, but under the rubble you can hear the cry of a newborn baby still alive. Ten years later, we find that new-born baby as it survives as it can on the streets of Naples, nobody’s son. Vivid memories of a criminal education that made him what he is: Ciro Di Marzio, the Immortal. Prequel of the “Gomorra” tv show.
Swaying between pleasure and despair, Elric throws himself into his pathological passion for the casino. Meeting Suzie could have saved him, but the young woman also sinks into gambling hell. The couple then start getting involved in the fearsome world of professional cheaters.
Follows the life of Clarence Avant, the ultimate, uncensored mentor and behind-the-scenes rainmaker in music, film, TV and politics.
Chronicling the beautiful and tragic life and career of Ted Gärdestad, this biopic tells the story of the great highs and lows of one of Sweden’s most loved artists.
In this true-crime documentary, a charismatic rebel in 1990s Seattle pulls off an unprecedented string of bank robberies straight out of the movies.
A teenager’s parents finally realize how bad their home life is when their son is arrested for prowling.
Krystal Parker’s life fell apart when she discovered she couldn’t have children. Everything she knew was gone, – but Letting Go Is Just The Beginning.
Nineteen-year-old Julio heads to Lisbon from the provinces and gets a job as a shoemaker for his uncle Raul. But when he meets Ilda, a confident young housemaid who becomes a regular shop visitor, his working-class values collide with the bourgeois trappings of modern life.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
