A young man becomes obsessed with Byleth, the demon of incest, and it leads to an unhealthy infatuation with his sister.

‘The Marathon’ is a feature film which contains humour in combination with impressive drama. The garage of four jass playing, smoking and beer drinking mechanics is threatened to be closed. The ‘genius’ idea to run the marathon of Rotterdam while being sponsored seems to be the only solution. The condition of the sponsor deal; making it to the finish line. However, training is difficult for the hedonists and it changes relationships, and even their future. Are all the efforts worth the fight when their seems to be more to it then just making it to the finish line…?

The film follows Agustina as she finds the videotapes that her father Jaime recorded before the accident that took his life. The family secrets surrounding Jaime push Agustina to get involved. Her search will reveal a story marked by sexuality and political activism.

Wreaths at the Foot of the Mountain is a 1984 Chinese film about the life of the soldiers in a PLA army company before, during and after the Sino-Vietnamese War.

After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.

70-year-old widower Ben Whittaker has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.

I’m Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

Lucky Bastard is a “found footage” thriller about a porn website run by Mike (Don McManus) that invites fans to have sex with porn stars. Jay Paulson plays Dave, an eager young fan given a chance to have sex with the fabulous Ashley Saint (Betsy Rue). But everyone gets more than they bargained for in the seemingly mild-mannered Dave… with gruesome results. The film is captured by the “Lucky Bastard” porn cameras for a fresh take on the “found footage” genre

At Payden Farms, Rose meets Tom Novak — a handsome “flower broker” who acts as a liaison between the farm and local distributors — and discovers that the farm is faltering financially and that her parents are considering selling it to a ruthless competitor. As a last-ditch effort, Tom arranges for Frank to enter his most special tulip in an upcoming flower contest with the hopes of achieving national recognition and generating business. But when Frank’s flowers are mysteriously sabotaged, Rose struggles to find a way to get them to bloom in time for the competition. Along the way, she finds herself appreciating her humble beginnings, reconciling with Frank, and falling into a blossoming romance with Tom. With time running out, Rose must rediscover her green thumb to save her family’s farm, and decide whether she’ll find true happiness — and true love — by staying in Los Angeles or returning to her folksy hometown.

When Geoff, an orphaned stable boy (Chris Masterson), discovers Drake (voice of Robby Benson), the world’s last living dragon, he realizes that his dream of becoming a knight in shining armor can now come true. Together, they soon face challenges that turn them into heroes. But caught up in the excitement of their new lives, Geoff and Drake fail to see the hidden dangers that surround them.

When her husband keels over from a stroke, Raynelle Slocumb calls the entire clan together to remember their dearly departed. Family tensions reach a comedic boil as the wildly dysfunctional Slocumbs squabble and fight their way to the funeral.

In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), legendary filmmaker Werner Herzog achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.