Ask any parents and the most common problem being faced by them in the current times will bring out the real picture of the educational institutes functioning in our present social system. Fast moving towards the extreme commercialism of this noble profession, the schools and colleges of every major city are no-where less than any corporate business houses running with the sole motive of profits. Have they forgotten their actual task of imparting education to the future generation and Have they completely given up the nobleness of the profession….are the questions raised by this well intended project aptly titled “Paathshaala”.

Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

After learning that the art thief she has been chasing is her ex-lover, an officer working for Interpol concocts a plan to catch him red-handed.

The Middle Eastern oil industry is the backdrop of this tense drama, which weaves together numerous story lines. Bennett Holiday is an American lawyer in charge of facilitating a dubious merger of oil companies, while Bryan Woodman, a Switzerland-based energy analyst, experiences both personal tragedy and opportunity during a visit with Arabian royalty. Meanwhile, veteran CIA agent Bob Barnes uncovers an assassination plot with unsettling origins.

Ah Jie lost everything in the stock market due to a severe economic crisis. He spends his days in his sealed apartment, smoking joints and looking after the marijuana plants that he secretly grows in his wardrobe. In desperation, he calls a suicide helpline and gets to know Chyi, whose sweet and gentle voice causes him to fall in love with his fantasized image of her. He tries to ask her out but is repeatedly rejected. He begins projecting his fantasy of Chyi on Shin, the new girl working at the betel nut stall downstairs. Shin is always sexily dressed in order to lure male customers. Ah Jie becomes closer to her and soon the two of them sink into a world of erotic and psychedelic pleasures. At the same time, Ah Jie begins to stalk Chyi.

A bravado period action film set at the end of Japan’s feudal era in which a group of unemployed samurai are enlisted to bring down a sadistic lord and prevent him from ascending to the throne and plunging the country into a war-torn future.

The love story of a young man and the singing, suicidal femme fatale who leads him on a topsy-turvy search for his long lost-evil brother. As he gets closer to finding the truth he must decide who to trust and what to believe.

Liezl, an ambitious agent, learns that her colleague, Susanah, uses her body to sell condo units; so she imitates her scheme. When the tables turn, Liezl begins to face her punishments one by one.

What if the only way Ticky and Baboo can save Granny Chetty from the clutches of the fallen Commander Veerasamy is by pretending to be celebrities from Bollywood?

In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.

The story begins with Sekiuchi, boss of the Sannokai, a huge organized crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato and right-hand man Ikemoto, head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo, who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomo’s lap.

After the apparent suicide of her daughter, a woman tries to prove that her son-in-law killed her.