The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.

Johnny Woo and Julie play an enduring couple who survive all sorts of interference from rival kick-box gangs in their effort to put a little romance in their lives.

Two brilliant, but dull, scientists set out to invent a love potion, but failing in that they attempt to create the ultimate artificial woman with stunning results. Only problem is their new creation only has eyes, and lust, for busty next door neighbor.

“Life is simpler in black and white.” This line, uttered midway through Bored in the U.S.A., could well serve as the film’s thesis statement. Following the budding friendship of Kelly (Kelly Lloyd, Baltimore Improv Group), a bored housewife, and Chris (Chris Milner, Comedy Central), a displaced Londoner, this film takes an honest look at life by disposing of conventional on-screen relationships. Bored exposes the inherent drama in the silences between what people say and don’t say to each other.

With hopes of reuniting with her husband, who left for the Vietnam War without telling her, a young wife joins a traveling band as the lead singer.

The Electrifiers won the 1984 Best New Artist Award for a smash hit which no one remembers, and have been stuck in traffic on the fast track to international stardom ever since. Thirty years later, the band members continue to drag themselves between gigs at nursing houses and cheap B&Bs while their lead singer still believes he is a 20-year-old rocker. But just as everyone is about to become completely fed up with him, a surprising opportunity presents itself, which could propel the Electrifiers straight to the top.

Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.

A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a “military mentality” and of a bureaucratic society in general.

Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived.

Finn Page is 20 years old. Recently, he has ended his first relationship, however, he’s not dealing with it very well. He resolves that quitting dating is the only option to prevent his heart from breaking again. Now, its up to his friends to convince him that sitting on the sidelines won’t make him happy.

Professional killer Holland is forced out of retirement to break a Central American government’s political torture ring when one of his friends, a Latin American journalist, is killed. The murderer, Doctor Clement Molloch, is the master sadist behind the political torture of innocent victims. Posing as a journalist, Holland lures Molloch out of his fortress-like headquarters by using his murdered friend’s wife and daughter as bait. When Holland kidnaps Molloch’s sister, the doctor is led on a wild chase that takes him to an abandoned opal mine where he finally comes face to face with Holland.

Fran, a single mother, is selflessly devoted to her children. But something is lacking in her life, and that something is the love of a man her own age. Her efforts to juggle a love life with her home life are largely unsuccessful.