Peter and Michael, raised on the streets of Philadelphia, are the children of Irish mob members, forever linked by the crimes of their fathers. 30 years later, Michael now runs the criminal organization and lusts for more power, his dangerous antics frequently held in check by his cautious cousin Peter. Haunted by the death of his sister, whose passing destroyed both his parents, Peter is caught between the dreams of childhood and the realities of his life as an enforcer. His only reprieve is a local boxing gym, a sanctuary that is quickly threatened as Michael’s desire for control escalates.
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In the mid to late 90’s, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland’s underworld.
The true story of the 19th century Belgian priest, Father Damien, who volunteered to go to the island of Molokai, to console and care for the lepers.
Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.
Once Upon A Time In Mumbai Dobaara is a sequel of Once Upon A Time In Mumbai
In the arctic, as Saiva is being born, a shaman declares that she is evil and will bring harm to all who become involved with her. Saiva is cast out of her tribe of herders and grows up to live a nomadic existence with Anja, a young woman she adopts as an infant. Then Loki, an injured and starving soldier, stumbles into their isolated lives. The women nurse him back to health, but treachery, violence and doom await them all.
When aspiring horror filmmakers post an online casting call looking for “real life” monsters to interview for their upcoming documentary called, The Monster Project, they find three individuals claiming to be a skin-walker, a vampire, and a demon. Meeting these monsters at a remote mansion in the woods on the night of a total lunar eclipse, the filmmakers invite the three subjects to share their haunting, personal experiences. Working on the crew is a recovering drug addict who suffers withdrawal and paranoia. As a person of faith, he fears his friends underestimate the dark powers they are summoning. When the interviews turn deadly, he must battle the demons, inside and out, to escape the house and defeat the rise of evil incarnate.
Everyone knows everyone in the southern town of Baymont. So when tattooed, sweet-talking Josie struts into town, heads turn. Striking up relationships with young punk Gator and loner Hank, she quickly becomes a hot topic of local gossip.
In 1950s Alabama, the owner of the Honeydripper juke joint finds his business dropping off and against his better judgment, hires a young electric guitarist in a last ditch effort to draw crowds during harvest time.
On a lush tropical island, working under a secret government charter, Martin Drake has not only grown sprawling acres of giant vegetables, but inadvertently spawned two mammoth reptiles as well. Now they’ve broken free of their enclosures, and Drake has only one option: kill the creatures before word gets back to Washington and they close him down. When Drake’s first team of well-armed mercenaries gets wiped out within hours of setting down in the jungle, he turns to one lone hunter, The Cajun, to go in single-handedly. But will The Cajun be cunning enough to find the creatures and destroy them before they turn the blue waters red with the blood of tourists. The only hope is to bring the monsters together and make them fight. When one emerges victorious, that will be the time to strike and kill the other. It’s a risky plan, but ultimately the only one that may work. One of David Carradine’s last movies.
