Following a brain transplant, a man is forced to experience the thoughts and memories of the man he accidentally killed.
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A sought-after Supercop gets caught in a series of unexpected events when he encounters a suspect who is accused of being involved in a murder case.
An allegory of the Golem, a Jewish mythical creature personifying displacement and exile, this film tells the story of a woman (similar to the biblical Ruth) and her sisters, who are forced into exile after the death of their husbands. It is set in 1990s Paris, where the director was living in self-imposed exile following the ban on his 1982 documentary in Israel. The recurring theme of the film is migrations and unrooting, like the legendary Golem.
In this third movie about Shiloh, Judd Travers is accused of killing a man he once fought in a bar. Everyone in the town consider Judd to be guilty except Marty Preston, but even him has some doubts. Trying to clear Judd’s name Marty and his friend searches the woods to find the criminal.
Avi Brickman is a middle-aged man still broken from the tragic death of his eight-year-old daughter five years earlier. When he is suddenly fired from his job, a thin threaded lifeline to his shattered existence, he decides to kill himself in the very home where the accident occurred. However, when he arrives at the isolated house in the woods, he finds a woman and her young daughter taking shelter there. During one long night, in his confused state of mind, he is haunted by the ghosts of his past as he confronts his guilt and pain to a cathartic and unexpected conclusion.
Hope Williams, a successful ER doctor, reluctantly meets an accomplished artist on a girls night out. He is everything her past lovers were not, and he forces her to discover a side of her that she never knew existed. As Hope’s sexual life steams up, her work takes a turn for the worse when an abusive husband of a battered patient blames her for his misgivings. Soon, Hope’s personal life becomes entangled with her work life, and both are put at risk
It’s Christmastime and the far-flung members of the Rodriguez family are converging at their parents’ home in Chicago to celebrate the season and rejoice in their youngest brother’s safe return from combat overseas.
Maisie and Daisy McCormack are two ordinary 12-year-olds finding their way through life in the 21st century. Oh, and they may have just hijacked a movie.
When a sushi chef sees Jerry scurrying around his restaurant, he tells Tom to earn his keep by catching that sushi-stealing mouse.
Ambitious overachiever Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly, she finds herself without a place to live, job or family. With every fiber of her being set for victory, Hanna refuses to give up and decides to win him back. But to get there means having to win something much more important, love and desire for herself and who she is.
On an unseasonably hot day in November, Hiro, a Japanese immigrant in New York City, decides to butcher a live chicken for dinner. While showing his visiting cousin Kei around, the pair encounter a medical emergency on the street. After they mishandle the situation and end up causing more harm than good, Hiro cannot bring himself to kill the chicken. Throughout, Kei observes his cousin’s new lifestyle as Hiro and his pregnant wife prepare for their move to Chinatown. As the day wears on, Hiro and Kei’s actions highlight how their lives are complicit in the structural violence that surrounds them.
In the middle of this amusing thriller is a relationship between two different types of females, one is a well know British author and the other is a sex-crazed French teen. The two get into some relationship trouble while living together in this film of psychological imagery and an erotic exploration of the female body.
