Documentary about Don Letts who played a leading role in pop history. Letts injected Afro-Caribbean music into the early punk scene and shot over 300 music videos including for Public Image Ltd. and Bob Marley, but also for teen sensations Musical Youth’s reggae smash ‘Pass The Dutchie’. Besides his enduring relationship with The Clash, the constant factor in Letts’ eventful career as a DJ, manager, film director, musician and radio maker is that, from the 1970s on, he continued to draw attention to cultural issues, as he does today with his radio programme for BBC 6, Culture Clash Radio.

A retrospective of designer Frank Stephenson’s work and life.

In this second Q&A with Kevin Smith he now enters the homes of some of his fans in Toronto and London.

The extraordinary life of beloved acting teacher and theatre producer Wynn Handman is recalled in this portrait of a provocative, innovative artist.

In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.

The premise behind Better Left Unsaid, lies in the unconfined analysis of the often violent extremism of today’s Western political landscape. As liberal democracy becomes increasingly challenged in the West, we expose the dangerous tactics employed by the radical-left and far-right, alike. In a world where political polarization frames the way in which we live, a new path forward of unity is needed more than ever before. The value of the film lies in its impact, brevity and digestibility – as we confront the philosophical underpinnings of the radical left and their extreme right counterpart.

The exploding cork. Endless tiny bubbles floating up and up in the glass. An indulgence. A celebration. A seduction. A triumph. This is the essence of Champagne, isn’t it? But it’s not just bubbles in a glass that makes the wine, or the mystique. Only sparkling wine produced within the boundaries of the Champagne region is truly “Champagne.” At first glance, the region is not an obvious source of romance. Champagne’s history is grim and bloody, swept by war and destruction from Attila the Hun to the filthy trenches of WWI and the Nazi depredations of WWII. The environment for winemaking is desperately hard — northerly latitude, chalky soil, copious rain, frost, rot. Yet it’s these difficulties that help make the wine unique.

There’s no subject too dark as the comedian skewers taboos and riffs on national tragedies before pulling back the curtain on his provocative style.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.

Wrongfully accused and sent to prison, a former basketball star prepares for the national slam dunk competition while finding redemption in himself and in those he loves.

The film centers on a fight promoter (Mark Feuerstein) deeply in debt to his crooked rival. Desperate for a new fighter that will help him win back everything he owes, the promoter catches a break when a 450-pound church handyman (Paul “Big Show” Wight) who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.

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