Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.

When Nirvana burst onto the scene in 1991, the music they played spoke directly to an angry and disenfranchised generation. As grunge took over MTV and radio, the music industry was transformed overnight. But just three years later, the drug-related deaths of several musicians, capped by the suicide of Kurt Cobain, closed the books on an all too brief era. Hit So Hard follows the rise to fame (and the near-fatal fall from it) of Patty Schemel, drummer for Courtney Love’s seminal rock band, Hole. Given a Hi-8 video camera just before Hole’s infamous Live Through This world tour, Patty captured stunningly intimate footage of the scene that has never been seen… until now. Not just an all-access backstage pass to the music that shaped a generation, Hit So Hard is a harrowing tale of overnight success, the cost of addiction, and ultimately, recovery and redemption.

Seventy years on, brothers Colin and Ewan McGregor take viewers through the key moments of the Battle of Britain, when ‘the few’ of the RAF faced the might of the Nazi Luftwaffe. As they fly historic planes, meet the veterans, explore the tactics and technology, Colin and Ewan discover the importance of the Battle and the surviving legacy of the 1940’s campaign for the modern RAF.

Filmed at the October 1968 meeting in Hawaii of several hundred police chiefs of the International Association of Chiefs of Police as they watch demonstrations of gruesome anti-riot weapons, sing patriotic songs, and defend their policies in front of the camera. Although filmed with the permission of the chiefs, the view is not sympathetic, sometimes funny, and more often frightening.

For three days in August 1969, nearly a half-million young people descended upon Max Yasgur’s farm in upstate New York for the rock ‘n’ roll event that defined a generation. Mythologized for 50 years, the filmmakers set the record straight with “Creating Woodstock,” the most comprehensive examination of how the festival came to be.

Comedy special featuring socio-political comedian W. Kamau Bell, who brings his characteristically biting and hilarious take on the real issues of contemporary America from gentrification to raising his family in a post-Obama nation.

A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the “hearts and minds” of the Vietnamese people. Filmmaker Peter Davis uses Johnson’s phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

Our modern civilization is likely to be confronted with the biggest paradigm shift in the perception of reality ever, and through our productions we wish to bring insight from the forefront of this development.

Revealing bio-documentary giving an exclusive look into the life of one of the world’s most admired and respected musicians as Bruce Springsteen explores and explains his greatest influences

A study of the dark legends that surround the Camp Hero Air Force Base in Montauk, Long Island.