When a massive biotech company sues a farmer because of their genetically modified seeds have blown into his field, a fight is on between big business and the little guy.
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The drama, the story of three childhood friends and a young woman who are torn apart in their fight for freedom, is billed as the first fully-financed film to come out of the Palestinian cinema industry.
High school student Dai Miyamoto has his life is turned upside down the day he discovers jazz. Picking up a saxophone and leaving his sleepy hometown for the bustling nightclubs of Tokyo, Dai will find that the life of a professional musician isn’t for the faint of heart, as he must confront what it truly means to be great.
Ella, an events project manager, usually takes a private transportation service. However, she is forced to take a bus, where bus conductor Rico becomes aroused when her body gets pressed into him due to the thick crowd. This encounter deeply affects Ella, and from that night on, she starts pursuing Rico. Even after discovering that Rico already has a live-in partner and a daughter, Ella doesn’t care at all and she’ll do anything to make him want her just as much.
A self-centered realtor enlists the help of his neighbor when he’s suddenly left in charge of the granddaughter he never knew existed until his estranged son drops her off at his home.
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.
When reporter Jean Craddock interviews Bad Blake — an alcoholic, seen-better-days country music legend — they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son. But can he leave behind an existence playing in the shadow of Tommy, the upstart kid he once mentored?
A broke-down middle aged Texas troubadour yearns to be remembered like the southern bluesmen before him, but his failings and self-doubt forestall his musical dreams and blind him to the open road.
Julie is haunted by her grief after living through a tragic auto wreck that claimed the life of her composer husband and young daughter. Her initial reaction is to withdraw from her relationships, lock herself in her apartment and suppress her pain. But avoiding human interactions on the bustling streets of Paris proves impossible, and she eventually meets up with Olivier, an old friend who harbors a secret love for her, and who could draw her back to reality.
A forensic investigator begins to suspect her new husband is the serial killer the police department has been hunting. This puts her and her ex-boyfriend — a detective on the case — in danger.
Cain is a military scientist, bitterly disappointed in human race. His conclusion is that the mankind failed to create a world worth living in. Only a small minority of privileged people live in prosperity, while the rest are spending their lives in pain and hopeless struggle to survive. One day, Cain made a decision to wipe out the entire human race from planet Earth, by activating the weapons of mass destruction. Time has passed, and Cain is coming out of the shelter to find the place where he will die. The place where the last man will die. Suddenly, he’s starting to receive a mysterious signal that indicates someone else’s presence. So, he goes in search to eliminate the survivor and complete what he has started…
Jovana Fey (Sophie Desmarais) is a novelist. Her first two books received positive reviews, but were a commercial failure. Her third, Don’t Read This on a Plane, has just been released – an amusing, risqué chronicle of a woman’s dalliances with a hundred women. Jovana hopes it will bring the success she craves.