After a violent encounter with his boss’ men, Roy finds a prostitute and sees something in her frightened, defiant eyes that prompts a fateful decision. He takes her with him as he flees to Galveston, an action as ill-advised as it is inescapable.

Ean has a critical missionto return to the future to save everyone. However, she becomes trapped in the distant past while trying to prevent the escape of alien prisoners who are locked upin the bodies of humans. Meanwhile, Muruk, who helps Ean escape various predicaments, is unnerved when he begins sensing the presence of a strange being in his body. Traveling through the centuries, they are trying to prevent the explosion of the haava.

Based on the real-life Richard Speck murders, amoral, nearly psychotic killer Warren Stacey (Gene Davis) is a serial killer who has murdered a number of women; he stabs them while they are naked to minimize leaving any physical evidence. Police detective Leo Kessler (Charles Bronson) is convinced of Stacey’s guilt and, over the objections of his partner, plants evidence to get him behind bars. When Stacey is released on a technicality, he threatens to go after Kessler and his family, leaving Kessler to defend himself against a killer with little help from the police.

A mysterious woman, stranded in her car near Golden Gate Park, convinces a thief to help her as she fights to stay in the city she loves.

A man’s life is derailed when an ominous pattern of events repeats itself in exactly the same manner every day, ending at precisely 2:22 p.m.

Harry Kilmer returns to Japan after several years in order to rescue his friend George’s kidnapped daughter – and ends up on the wrong side of the Yakuza, the notorious Japanese mafia…

A mute, aspiring actor joins forces with a man who has a powerful voice. Together they take the film industry by storm, but will their egos get in the way?

In 1960, seven pre-teen outcasts fight an evil demon who poses as a child-killing clown. Thirty years later, they reunite to stop the demon once and for all when it returns to their hometown.

Hot young stars, a hip, driving soundtrack, plus a provocative tale of jealousy and betrayal combine to create this controversial modern-day version of Shakespeare’s classic, “Othello.” O is Odin James (Mekhi Phifer), the school’s star basketball player and future NBA hopeful. Even though he’s the only black student at the elite Palmetto Grove Academy, he has the adoration of all, including the team’s coach (Martin Sheen) and the Dean’s beautiful daughter, Desi (Julia Stiles). Odin’s troubled friend Hugo (Josh Hartnett), the coach’s son, is deeply resentful of his father’s preference of Odin on and off the court. When Hugo plots a diabolical scheme to sow the seed of mistrust between O and Desi, it sets in motion a disturbing chain of events which erupts into a firestorm of breathtaking intensity.

A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city’s history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.

The Messenger is the story of Jack’s last melt down: a story of frustration and guilt, love and betrayal, family and blame. Unwillingly becoming embroiled in the unfinished business of Mark, a journalist brutally murdered in the local park and his television presenter wife, Sarah, to whom he’s desperate to say one last goodbye, Jack finds himself getting closer to Sarah, obsessed with passing on Mark’s message. Discovering hidden secrets and lies finally pushes the fragile Jack over the edge but there is hope when his estranged sister, Emma, gets in touch. Jack starts to remember the past they shared together and as the memories come flooding back, he confronts the truth about the death of his father.

Legendary actor Patrick McGoohan turns his famous character from THE PRISONER upside down as the psychiatrist in charge of an insane asylum. He has connected his inmates into a group mind where they share each other’s psychoses, dreams and sexuality with all the scary and titillating implications imaginable! Like his highly acclaimed cult classic MASSACRE AT CENTRAL HIGH, director Rene Daalders provocative excursion into sci fi-horror filmmaking looks at first glance like a classic grindhouse movie, but it is up to much more. In addition to its operatic mayhem, HYSTERIA is a mind-expanding reflection on individual vs. group consciousness, power, control, and freedom.