In 1970s London amidst the punk rock revolution, a young grifter named Estella is determined to make a name for herself with her designs. She befriends a pair of young thieves who appreciate her appetite for mischief, and together they are able to build a life for themselves on the London streets. One day, Estella’s flair for fashion catches the eye of the Baroness von Hellman, a fashion legend who is devastatingly chic and terrifyingly haute. But their relationship sets in motion a course of events and revelations that will cause Estella to embrace her wicked side and become the raucous, fashionable and revenge-bent Cruella.
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One country. Four directors. Six comedy-dramas. Each of them works as a separate story, together they form a coherent whole. All of them are based on seemingly mundane situations that take a perverse turn, bringing the heroes to the brink of their endurance.
Australian small-town cop Gary (Eck) enjoys his nearly pastoral existence, with traffic violations providing the major excitement to his normally low-key days. While away from work, Gary spends a good deal of time fantasizing about local news reporter Julia (Kirstie Hutton), who would just as soon relocate to the thriving metropolis of Sydney. Soon, however, a motorcyclist is found decapitated, with a construction worker, a sailor, and a cowboy and Indian also meeting the same fate. With some murderous weirdo with some sort of Village People fixation terrorizing the town, Gary — with the help of big-wig city detective and Don Johnson-wannabe Tony Charles (Mir) — begins to realize that a cop is the last remaining victim to be murdered in order for the killings to be complete. …
When the infamous “Sweet Sixteen Killer” returns 35 years after his first murder spree to claim another victim, 17-year-old Jamie accidentally travels back in time to 1987, determined to stop the killer before he can start.
A young woman is forced to reflect on her first relationship when she inadvertently moves into her ex boyfriend’s apartment building.
A vigilante homeless man pulls into a new city and finds himself trapped in urban chaos, a city where crime rules and where the city’s crime boss reigns. Seeing an urban landscape filled with armed robbers, corrupt cops, abused prostitutes and even a pedophile Santa, the Hobo goes about bringing justice to the city the best way he knows how – with a 20-gauge shotgun. Mayhem ensues when he tries to make things better for the future generation. Street justice will indeed prevail.
In her first HBO comedy special since 2013’s acclaimed “Sarah Silverman: We Are Miracles,” Sarah Silverman showcases her fearless chutzpah in a performance filmed at The Wilbur Theater in Boston.
A young woman wishes to fulfill her mother’s dream of opening her own bakery in Notting Hill, London. To do this, she enlists the help of an old friend and her grandma.
Playing around while aboard a cruise ship, the Chipmunks and Chipettes accidentally go overboard and end up marooned in a tropical paradise. They discover their new turf is not as deserted as it seems.
Captured by a ruthless gang of bank robbers, foes Diabolik and Ginko find themselves facing certain death. While Eva Kant and Altea forge an unlikely alliance to rescue their lovers, Diabolik reveals his mysterious past to the Inspector.
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When Ida, cheeks streaked by mascara tears, unexpectedly shows up at her sister’s, the staid Alison bargains her way out of mom duty for the night and the two head off to an Eastside wine bar. There, they run into Will and the freshly divorced, sweatpants-attired Clark. After some slightly inebriated commiserating about mismanaged marriages and other adult concerns, the foursome head out into the night, careening from downtown lofts to pot dispensaries to midnight swims and back again, determined to prove they still have what it takes to have a good time.
